A Seminar Named Desire: Writing in Key West Jan-22

Sun, sea, sand.

Three words that bring me joy in January.

Add to this trio communing with kindred spirits and the joyful picture is complete.

I recently spent a week in Florida at the Key West Literary Seminar exploring the craft of creative nonfiction under the guide of esteemed author David Treuer. 

This year’s Seminar theme was Desire.

For three hours each morning I, along with 10 other writers, grappled with how to tell true stories in engaging and meaningful ways. We considered subject, form, voice, detail, conflict, momentum, and dramatic arc.

We read and critiqued each other’s works-in-progress and learned strategies for creating compelling nonfiction. We discussed the writing life and shared our life stories. 

Doing this among strangers takes courage, but it wasn’t long until we bonded over our shared passion.

Being in the physical presence of fellow writers for the first time in over two years, was at times overwhelming. In a good way. Sometimes you don’t realize what you are missing until it arrives. 

Workshop friends
Workshop leader and author, David Treuer
Writers on Writing talk and book signing.

Many literary luminaries wrote in Key West including Ernest Hemingway, Elizabeth Bishop, Shel Silverstein, Robert Frost, Tennessee Williams, Wallace Stevens, Anne Beattie, and Judy Blume.

Writers continue to draw inspiration from this unique place. If you visit, make sure to take the Literary Walking Tour. 

View from Hemingway House
Old Man and the Sea Exhibit
Hemingway’s writing studio
One of the 56 Hemingway cat descendants. This one six-toed.

The arts abound in the Key West. The island is only 5 square miles, easily walkable and bike rentals readily available. The place is full of color and character. I found the locals quite friendly.

The stars truly aligned for all this to happen amidst the Omicron threat. I am grateful to the Seminar committee for granting me a fellowship, along with the lovely accommodations at Eden House.

This break in routine, change of scenery, socializing, and inspiration all served to jump-start my creativity and motivation. 

I gained the direction and focus needed to complete the essay I’d struggled with for many months.  “The Bridge That Fell Down” is now ready to send out into the world. 

I hope you, too, can find ways to experience this much-needed rejuvenation, big or small, in anyway possible. 

The Art of Revision: Seeing your writing (and life) through new eyes.

Revising your writing involves seeing it through fresh eyes.

“My pencils outlast their erasers.” ~ Vladimir Nabokov

I’m always reminding my students that “good writing is re-writing”. 

I push them to read their work out loud. To look for redundancies. Delete unnecessary phrases.  Re-order sentences.

This is only a start, of course. Revising is not the same as editing. A perfectly grammatical essay can still be trite, boring, or nonsensical.

First comes the vision, then many revisions. 

What is the essence of your story?

What are you trying to say?

What do you want the reader to think/feel?

Revision is an art that’s both gratifying and frustrating.

Revising a story involves assembling many, many moving pieces into a cohesive whole. 

The mission is daunting and best not attempted as a solo task. There are many revision resources to help you.

Deep revision, however, means seeing your story through fresh eyes. This is not easy to do when you’ve been working on the same novel for three years.

That’s where critique partners, beta readers, mentors, and editors come in. These team players will gently point out flaws in your game. They’ll notice inconsistencies, pose thoughtful questions, and suggest revisions to help you reach your peak performance.

Sometimes these revisions are painful to employ.

Like cutting out large sections, or crafting a new beginning.

Or saying goodbye to a character.

Or changing the ending you thought was pretty darn clever.

In order to revise you must take in the big picture…

and then re-vision the story.  

When your clouded eyes begin to see anew, change is possible.

The art of writing revision can be applied to our lives.

We can look back at certain chapters of our life and realize we had misread them all along. Light shines on the pages. Contrasting colors come into view. Characters take on new dimensions. Truths are revealed. This re-vision shapes tomorrow’s unwritten chapters.

Revision allows for transformation.

We all have stories we tell about ourselves. We cling to these narratives, even when they no longer serve us.

Sometimes we need an editor to help us see where to make deletions, insertions, and add fresh imagery to our story.

And sometimes, the best—and hardest—thing to do is to let go of that story and begin a new one. ~

Do You Get Me? Writing from another person’s perspective.

“The characters were so believable!”

This is a compliment any fiction writer would love to hear.

To craft memorable stories, the writer needs to enter the mind and heart of her characters and then bring them to life on the page.

How do you do this?

You can find excellent guide books on this fascinating topic. For starters, I’l offer key traits a writer should cultivate when trying to get into someone else’s head.

Curiosity

Intuition

Imagination

Open-mindedness

Listening skills

Empathy

Sensitivity

Notice how this list applies to our real life relationships? 

Imagine how such skills and practice could shape our present day divisions.

While one can never truly know another, the quest to do so—and to be seen ourselves—drives us.

Sometimes to love and madness. 

Try putting yourself in my shoes, for a change.

You just don’t understand.

Are you crazy?

She can read my mind.

He really gets me.

It’s easier to write characters with a similar perspective, background, and age as yourself. But to stick with that limits the scope of your creative work. Plus, it’s boring!

Writers who wrote outside their own boundaries brought us great literature from Henry James to Agatha Christie. Men transporting themselves into a woman’s head and vice versa.

Nabokov wrote Lolita in the voice and mind of a murderous pedophile.

The best-selling novel, Curious Incident of the Dog in the Night-time, (Mark Haddon) is narrated by an autistic teen.

Let’s consider age.

I am all the ages I have ever been. ~ Anne Lamott

In Room, Emma Donoghue narrates the book through the eyes of a 5 year old boy being held captive in a small room along with his mother.

J.D. Salinger’s inner 17-year-old, Holden Caulfield, catapulted Catcher in the Rye to classic fame. 

My middle-school students were always shocked to learn that cult fav, The Outsiders, narrated by a 16 year old boy, was penned by a teen-aged girl.

Beloved children’s author, Judy Blume, now age 83, attributed the success of her children’s books to her ability to access her inner child. “I’m still like an 11 or 12 year old inside,” she told an interviewer.

How about writing in an age you have yet to be ?

Marilynne Robinson’s, Pulitzer-Prize winning Gilead is a diary from a 76 year old preacher to his young son.

I’ve written stories from the perspective of a confused middle-aged man, a 25 year old exotic dancer, and a 9 year old fire starter. My current project features an almost 12 year old roller coaster enthusiast. To capture her essence, I read childhood diaries, studied old photos, and visualized my 6th grade self.

But it’s the spirit of a 15 year old girl that comes most naturally. Perhaps because 15 was a pivotal year in my life. I also work with teenagers, so I get to know them up close. 

My recently published short story, “My Father’s Messiah”, is about a 15 year old orthodox Jewish girl who worries her widowed father may be losing his mind.

I am honored to be awarded the First Prize in the Katherine Paterson Award for Young Adult Literature. Thank you to Hunger Mountain Journal and Vermont College of the Fine Arts.

It begins like this:


Every school morning, my father wakes me the same way: he yanks open my blinds, slaps his hands together, and says, “Boker tov, beautiful daughter. Time to rise and serve your Creator.” 

Once upon a time, I didn’t need wake-up calls. I bounced out of bed as if each day delivered a surprise package. When I was five, I might have found my father’s routine cute, but now my fifteen-year-old brain barely registers Abba’s words. Instead, I hold onto my last dream before it morphs to reality.  

“And who knows?” my father booms. “Today might be the day the Messiah comes!”

He says this says every morning. No joke. 


You can read the story here

What is your inner age?

September Song – Creativity through the Seasons

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Aaron Burden

But the days grow short
When you reach September
When the autumn weather
Turns leaves to flame… 
     “September Song”

Does the change of season affect your creativity?  Are you more creative in the winter than fall?

Maybe you live in a part of the world where seasonal changes have more to do with the calendar than the weather. Does it make any difference in your creative output?

Artists are often sensitive to the rhythms and cycles of nature. Poets have long personified the seasons.

No spring nor summer’s beauty hath such grace
As I have seen in one Autumnal face….
~John Donne, “Elegy IX: The Autumnal”

Autumn carries more gold in its pocket than all the other seasons.  ~Jim Bishop

As a writer, I find I’m most creative in the summer time, yet more productive in winter when I’m forced to spend more time indoors. Give me a sunny window and I’m good to go. There are studies to support that seasonal changes influence our creative minds and hearts. One suggests that the warmth of summer may make people more relationally creative. The winter, on the other hand, may inspire more abstract thinking. 

“Shall I compare thee to a summer’s day?”   Shakespeare’s Sonnet 18

I cling to the last days of summer, which isn’t hard to do this time of year in New England. September teases with its brilliant sky, green grass, and 80 degree afternoons. But the subtle signs of change taunt: a smattering of red leaves on the maple tree. The earlier, muted sunsets. The cool nights.

I notice how much of seasonal change involves light—its intensity, color, slant, and warmth. My visual artist friends talk about how natural light variation affects their work. Photographers only get a brief chance to capture a certain light.  Writers can retrace this vanished light with words. I was thinking about this while writing a scene set in early summer on Cape Cod. How do you describe its unique light that changes hour by hour? Set the story in October and you’ll need a different paintbrush to capture the light.

rooms-by-the-sea
Rooms by the Sea (Cape Cod) Edward Hopper 1951

Consider a summer sunset over the ocean. The way you choose to describe this should be filtered through the eyes of the character (or narrator in nonfiction.)  Is the onlooker someone who just lost her father? Now imagine describing the same scene through the eyes of a woman newly married to the love of her life.

Context matters when painting a setting with words. Including seasonal sensory details and images, filtered through point-of-view, can add depth and suggest your story’s mood.

“Autumn burned brightly, a running flame through the mountains, a torch flung to the trees.”   ~Faith Baldwin, American Family

Of all the months, September seems to me to bring the greatest transition. Beginnings and endings. Starts and finishes. Vacation ends. Back-to-school. The Jewish New Year.  To some, it’s a welcome change. To others, a prelude to days lacking in color and warmth. My friend Ruth wilts in the heat of the summer and looks forward the crisp fall days. I, in contrast, bloom in the heat and wilt in the winter.

Oh, the days dwindle down
To a precious few
September, November

Like the seasons, our creativity ebbs and flows. We can recognize this, accept it, and surrender to creativity’s cyclical nature. As I approach the proverbial “end of the tunnel” with my current manuscript in-progress, I hope to bask in the light of accomplishment.

My summer light. 

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Albany, NY

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Walden Pond .  Concord, MA

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Newport Beach

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Rhode Island Cliff Walk

~

How Do You Write About Grief?

“Where you used to be, there is a hole in the world, which I find myself constantly walking around in the daytime, and falling in at night. I miss you like hell.”

~Edna St. Vincent Millay

Heart_Candle

We all experience grief and loss. Some of us more than others. There is no escaping its grip.

The longer we live, the more we lose.

The grief of losing a thing, and the fear of losing it,
are equal.”     
        ~Seneca

In trying to comfort others, or share our grief experience, we get stuck in the sphere of emotion and physical sensation. How do we speak about grief?

We turn to metaphor and imagery.

A black hole.  A sinking ship. A shredded heart. Time stands still. Grief eats like acid.

Sometimes, grief can be described in the same way as love.

“Grief is like the ocean; it comes on waves ebbing and flowing. Sometimes the water is calm, and sometimes it is overwhelming.”      

For is there grief without love?

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Siesta Keys Beach, FL

“All you can do is learn to swim.”

Author Anne Lamott writes, “You will lose someone you can’t live without, and your heart will be badly broken, and the bad news is that you never completely get over the loss of your beloved. But this is also good news. They live forever in your broken heart that doesn’t seal back up. And you come through. It’s like having a broken leg that never heals perfectly—that still hurts when the weather gets cold, but you learn to dance with the limp.”

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Siesta Keyes Beach, Sarasota, FL. March 2019

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