Dear Reader, Thanks For Writing!

Writers appreciate hearing from their readers.

M. Weidenhoff

Writing can be a lonely business. You spend hours in your head, talking to yourself, hanging out with imaginary people.

You sit at a desk trying to spin chaos into order.

Some days, the jumble of words magically align, like a string of pearls to polish and present.  

But where these words land, who sees them, and how they are received is not always apparent.

That’s why it is so gratifying to hear from a reader–whether in-person, through email, or online comment. (I occasionally get a phone call but only from those I know personally.)

Many of you prefer communicating via the Contact Evelyn page rather than leaving a public comment. Some readers ask for writing advice.

Through my website, I’ve heard from men I once dated and friends from years back. Occasionally, I get a creepy letter or comment. That’s when the BLOCK option comes in handy.

My blog stats range far and near: Israel, India, Denmark, New Zealand, Romania. I hear from kindred spirits across the country. I feel fortunate to have met, in Real Life, two of my blog readers and was enriched by the experience.

My July 2022 post Is It Ever Too Late To Find Love? generated a lot of mail. (Including one marriage proposal!) You had lots to say on this topic and wanted to share your tales of both woe and joy in love.

Loui Juver

Because I write frequently about grief, I receive letters from readers sharing their personal loss. These are the hardest letters to read, but also the ones that most touch my heart.

A distraught woman who had just lost a close family member in a fiery car crash wrote to me a couple months ago. She read an essay I’d recently published in Chicken Soup for the Soul. Her letter was detailed, heartfelt, and, I admit, triggering for me.

Still, I took the time to answer the best I could, knowing that she was in the hardest part of her grief journey.

A.M Zilberman

Ten years ago, I published an essay in Tablet Magazine about feeling ambivalent toward my 20 year old daughter’s impending marriage. This story continues to circulate, probably around wedding season, and I receive emails from mothers and fathers in a similar predicament. Fortunately, I have gained wisdom since then to share, along with a happy ending.

I receive fewer letters about my short fiction, though some readers have questioned whether I was writing about them. Answer: No.

One of the most memorable letters came from a Montana reader of my YA novel, One Is Not A Lonely Number.

“I’m the only Jewish girl in my school. Reading your book made me feel less alone. Getting to know Talia and her friends meant so much to me. I loved the way you showed how they were religious but also regular girls who get into fights and mess up like everyone else...”

Whether a debut or seasoned author, such personal letters often mean more to the writer than a book review or promotional tweet (which, of course, are also appreciated!)

I like to pay the kudos forward.

After reading a book or story that impacted me, I will take a moment to find the author’s contact info and let him/her know. This practice has led to enjoyable correspondence for me as well.

We creative souls write for many reasons: to make sense of the world, understand ourselves, explore obsessions, persuade, provoke, illuminate, entertain, and inspire.

Many of us write to connect with others.

So, thank you dear reader for writing!

What Are The Odds? Learning From Coincidences.

One of the cardinal rules of fiction writing is: do not use coincidence to solve a a character’s problem.

When coincidence is used in this way, readers feel manipulated–(which writers do all the time. The point is for the reader not to notice.)

Used cleverly, however, coincidence in fiction can set off a chain of events and deepen the meaning of the story. 

But what about in real life? Do coincidences have meaning?

The answer depends somewhat on your life outlook. Do you see the universe as a series of random events with no inherent connection? Do you seek scientific explanations for improbable events?

Or, do you believe some things are fated ?  Maybe you subscribe to the notion that “everything happens for a reason”? Perhaps you see Divine intervention in some coincidences.

You run into your former lover in a city you both have never been ten years after your parting with no contact in between. Each of you say you were thinking of the other in the past month.

Psychologist Carl Jung called these kind of events “synchronicities”, surprising juxtapositions that scientific rationale can’t explain. The word synchronicity means “together in time” and suggests an underlying order to our reality. A connection between everyone and every living thing. 

Jung saw synchronicities as a tool toward personal growth and meaning-making.

Just as we can derive meaning from reading a novel we know isn’t real, I think life’s coincidences can offer meaning, as well. Synchronicities evoke wonder and amazement. They remind us of life’s mystery.

The stranger or more improbable the coincidence, the greater our astonishment. 

A common category of coincidences is finding an uncanny connection with a person you meet.

On a recent flight from Boston to Chicago, the woman sitting beside me, to whom I hadn’t said a word the whole flight, asked me if the American Airlines terminal was very busy. 

“Oh, you’re not from Chicago?” I asked.

“No, just getting a connecting flight.”

I offered a few tips for navigating the O’Hare terminal. “Where are you headed?” I asked.

“Michigan.”

I smiled. “That’s where I grew up.”

What ensued was an enjoyable conversation with my seat mate.

We discovered that she and I had grown up in the same city just a mile apart. We’d both taken ice skating lessons at the same arena. We were both from large families and now had daughters the same age. We both had family still living in the area.

This in itself isn’t so incredible. What struck me is that the only reason we’d met is because I had taken the wrong seat. 

The woman who was assigned 22F told me not to bother moving. She was fine with taking 22A across the aisle.

While I’m usually friendly and enjoy meeting new people, when on “airplane mode” I’m either white-knuckling through turbulence with music piping in my ears, or busy working on my laptop.

Add a mask to the above mix and you might call me an anti-social flyer.

Once inside the airport, Lauren and I each unmasked to reveal our smiles. Then we exchanged contact info.

And the lesson from this coincidence?

Talk to people! Some strangers turn out to be friends you’ve not yet met.

Taking Risks in Writing and in Life

Toltek, Getty Images Stock Phot0

Writing is an act of discovery.

Writing can unearth truths you were afraid to face.

You think you know your subject or plot or characters, until the words begin to march to the beat of their own drum.

Sometimes you discover-perhaps from a trusted first reader–that your words fall flat. Or sound too familiar. Or leave too much white space. 

Something is missing.

To write compelling stories, we have to mine our minds and hearts. This requires a certain boldness.

In drafting a story or essay, or even a blog post, you encounter numerous choices. Which turn will you take?

Some choices seem riskier than others. 

Getty Images

To write something meaningful that will resonate with readers, we must take risks. We must learn to write at the edge of what feels comfortable.

We have to ask: what am I holding back? Why? 

What do I fear by writing the truth, or exploring this matter?

Whenever I’ve pushed myself in this way, the net outcome was rewarding, whether yielding a stronger piece, satisfaction in my work, or publication. Rewards also come from the reader letters I receive.

The same can be said for our lives. Our limiting beliefs keep us from taking risks. So do our fears.

Fear of what others might think.

Fear of being uncomfortable.

Fear of facing certain feelings we’d rather keep ten feet away.

So we remain in the status quo. Settle into a comfortable routine. Stay inside our safety net—a wholly understandable choice in today’s upside down world.

Yet when we remain there, we miss so much. We miss experiences we can’t even yet imagine. 

Sometimes the risk we take is for another. To show up when we’d rather stay home. This, too, can bring unexpected rewards.

I decided that 2022 would be my year of saying “Yes”. 

Yes to new opportunities, relationships, experiences, challenges, and writing projects.  I chose this action not only to face fear but to feel more alive.  To have fewer regrets, even if the outcome isn’t what I hoped for.

But there was another driving factor in this shift: my continued awareness of the brevity of life and the uncertainty of tomorrow in our broken world.

 Bike_Maverick/iStock

I choose to say YES more often because next week, month, year, I may not have this choice. 

A most recent and life-changing Yes was traveling solo from Boston to Lake Atitlan, Guatemala for an 8 day writing retreat. In deciding whether or not to embark on such a trip–my first outside North America–I found several excuses to say No Not Now. (It helps to have a few cheerleaders on your side.)

Stay tuned for the full story…which I wasn’t sure I’d live to tell! 

Writing in Key West: A Seminar Named Desire

Sun, sea, sand.

Three words that bring me joy in January.

Add to this trio communing with kindred spirits and the joyful picture is complete.

I recently spent a week in Florida at the Key West Literary Seminar exploring the craft of creative nonfiction under the guide of esteemed author David Treuer. 

This year’s Seminar theme was Desire.

For three hours each morning I, along with 10 other writers, grappled with how to tell true stories in engaging and meaningful ways. We considered subject, form, voice, detail, conflict, momentum, and dramatic arc.

We read and critiqued each other’s works-in-progress and learned strategies for creating compelling nonfiction. We discussed the writing life and shared our life stories. 

Doing this among strangers takes courage, but it wasn’t long until we bonded over our shared passion.

Being in the physical presence of fellow writers for the first time in over two years, was at times overwhelming. In a good way. Sometimes you don’t realize what you are missing until it arrives. 

Workshop friends
Workshop leader and author, David Treuer
Writers on Writing talk and book signing.

Many literary luminaries wrote in Key West including Ernest Hemingway, Elizabeth Bishop, Shel Silverstein, Robert Frost, Tennessee Williams, Wallace Stevens, Anne Beattie, and Judy Blume.

Writers continue to draw inspiration from this unique place. If you visit, make sure to take the Literary Walking Tour. 

View from Hemingway House
Old Man and the Sea Exhibit
Hemingway’s writing studio
One of the 56 Hemingway cat descendants. This one six-toed.

The arts abound in the Key West. The island is only 5 square miles, easily walkable and bike rentals readily available. The place is full of color and character. I found the locals quite friendly.

The stars truly aligned for all this to happen amidst the Omicron threat. I am grateful to the Seminar committee for granting me a fellowship, along with the lovely accommodations at Eden House.

This break in routine, change of scenery, socializing, and inspiration all served to jump-start my creativity and motivation. 

I gained the direction and focus needed to complete the essay I’d struggled with for many months.  “The Bridge That Fell Down” is now ready to send out into the world. 

I hope you, too, can find ways to experience this much-needed rejuvenation, big or small, in anyway possible. 

The Art of Revision: Seeing your writing (and life) through new eyes.

Revising your writing involves seeing it through fresh eyes.

“My pencils outlast their erasers.” ~ Vladimir Nabokov

I’m always reminding my students that “good writing is re-writing”. 

I push them to read their work out loud. To look for redundancies. Delete unnecessary phrases.  Re-order sentences.

This is only a start, of course. Revising is not the same as editing. A perfectly grammatical essay can still be trite, boring, or nonsensical.

First comes the vision, then many revisions. 

What is the essence of your story?

What are you trying to say?

What do you want the reader to think/feel?

Revision is an art that’s both gratifying and frustrating.

Revising a story involves assembling many, many moving pieces into a cohesive whole. 

The mission is daunting and best not attempted as a solo task. There are many revision resources to help you.

Deep revision, however, means seeing your story through fresh eyes. This is not easy to do when you’ve been working on the same novel for three years.

That’s where critique partners, beta readers, mentors, and editors come in. These team players will gently point out flaws in your game. They’ll notice inconsistencies, pose thoughtful questions, and suggest revisions to help you reach your peak performance.

Sometimes these revisions are painful to employ.

Like cutting out large sections, or crafting a new beginning.

Or saying goodbye to a character.

Or changing the ending you thought was pretty darn clever.

In order to revise you must take in the big picture…

and then re-vision the story.  

When your clouded eyes begin to see anew, change is possible.

The art of writing revision can be applied to our lives.

We can look back at certain chapters of our life and realize we had misread them all along. Light shines on the pages. Contrasting colors come into view. Characters take on new dimensions. Truths are revealed. This re-vision shapes tomorrow’s unwritten chapters.

Revision allows for transformation.

We all have stories we tell about ourselves. We cling to these narratives, even when they no longer serve us.

Sometimes we need an editor to help us see where to make deletions, insertions, and add fresh imagery to our story.

And sometimes, the best—and hardest—thing to do is to let go of that story and begin a new one. ~

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